Archive | June, 2009

Don’t Be a Pageant Mom

9 Jun

Screengrab from HBO documentary "Living Dolls"

Screengrab from the HBO documentary "Living Dolls"

While I understand the sentiment, I’ve always felt that the old writing saw “kill your darlings” suffered from being both overly macho (Ooh, you big bad killer you) and poorly timed (Why not help prevent me from making darlings in the first place?).

Now look at the picture above.

Don’t we all have a story tucked in a drawer somewhere that reads like this poor kid looks?

You’re the boss of your work. You can make it be anything you want it to be. You are in COMPLETE CONTROL.

But don’t be a pageant mom, okay?

Question: How Do I Start My Writing Career?

8 Jun

A reader writes:

My name is NAME and I’m currently a junior at COLLEGE COLLEGE. My friend, NAME, who is in the same graduating class as me, referred me to your website. While I am a ACADEMIC MAJOR in a WORLD CITY right now, my true passion is writing poetry, and I’m trying to develop my skills in writing short stories. I am fairly certain that I want this hobby to become my career, but I don’t know where to even start! I will be the first person in my family to graduate with a 4-year degree, so I don’t have any relatives with applicable experience or knowledge. Do you have any advice on where to start?

I’ve been sitting on this question for months, and for our readers who are farther along in their writing careers I’m sure you understand why.

Where to start? Where to start? Is there a more impossible question to answer than WHERE TO START?

The advise that springs to mind is of the “just write” variety, advice that I will not give. “Just write” is dismissive and minimizing, like telling someone who’s clinically depressed that maybe they wouldn’t feel so crummy if they just lightened up and, you know, tried to have some fun and not worry so much all the time.

I couldn’t do that to you, NAME from COLLEGE COLLEGE. You say you have the desire. Very well. Now let’s put some shape to all that ambition. Let’s get you doing a web project.

The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one.

Mark Twain

Another way of approaching Twain’s advice is to take the “complex overwhelming task” and shrink it—in its entirety—until it’s small enough to be manageable.

Becoming a writer is a simple matter of mastering ideas, emotion, insight, subtext, research, writing, rewriting, polishing, publishing, marketing, publicity and finding, building and maintaining audience. You’re going to do all of those things, but on a scale you can handle.

Here’s what you need to do:

Pick the project

That memoir about your experiences growing up as the daughter of a cruel pineapple magnate is not a project. That’s your life’s work. A project is something like Skull-A-Day or SMITH Magazine’s Six-Word Memoirs. You will pick a project that is finite, manageable and low stakes, something like 36 Poems about Strawberry-Banana Yogurt.

Do the project

You will write your 36 poems about strawberry-banana yogurt. Or, if you are acting as an editor/curator, you will collect your 36 poems about strawberry-banana yogurt. (Per Doug’s comment, you will also need to set a deadline.)

Produce the project

Your project has to be public, but you’re not going to wait for permission. You’re going to put up a website (36PASBY.com is available, btw). You’ll do this yourself, or you’ll gain the invaluable experience of collaborating with other people who have different skills than you have. Either way you’re going to make it look rad.

Support the project

You will do all the things that people with “real” books do. You will throw a launch party. You will start a Facebook group (even if you are over Facebook). You will pitch a story to your local newspaper. (Again, if you’re up to the task, then collaborate. Doesn’t everyone know an aspiring publicist?)

Put an end to the project

The point of this exercise is to be quick and light and effective. If 36 Poems about Strawberry-Banana Yogurt takes off, then that’s great. If it doesn’t, then you will have already built in a sunset provision. Let your project be what it’s meant to be. Then walk away.

Rest

Rest is important. Rest now.

Asses the project

How did it go? What went wrong? What went right? What was in your control? What was out of your control? Be honest with yourself, but also be kind. It’s just a project.

Learn from the project

This whole time you’ve been (lightly) learning about what you do well, what you struggle with, what you think you could improve, what you’re always going to be hopeless at. Now take a moment to write down the lessons learned.

Rest again

Did I not mention that rest is important? Please rest again.

Do another project

Take what you’ve learned from the first project and do another one. And another. And another. And another. With a little hard work and luck these projects will grow in scope and size and important.

Then one day you’ll wake up to find that your next project is that memoir about growing up the child of a cruel pineapple magnate. Project and life’s work have become interchangeable. Fortunately, the muscles and skills you developed doing your web projects apply quite nicely. You’ll also find that you’ve managed to collect some friends, readers and collaborators along the way.

Then the book comes out, and you go on the radio, and the interviewer asks you how you got started as a writer, and you’ll smile and tell her about 36 Poems about Strawberry-Banana Yogurt and that story will absolutely kill.

You win. The end.

Call for Questions and New People

4 Jun

1. The DCWYTBMA question hopper is almost empty.

Won’t you help fill it back up?

2. I’m woefully off pace for my goal of helping 100 NEW PEOPLE this year.

Won’t you help me re-empacen myself by referring a friend?

3. The New Yorker has a piece on the creative writing workshop.

Won’t you read it and share your passionate/contradictory opinions about it?

4. People in the past were prescient fools.

Won’t you join me in laughing at/admiring them?

Thanks and take care.

The Ideal Profession for Young Writers?

3 Jun
The hands of our next great novelist?

The hands of our next great novelist?

Many years ago I heard a radio interview with Scott Turow about his experience working as a mailman. This was in the days before businesses and organizations were obsessed with efficiency, and there was an unwritten rule that if you finished your route early, it was okay not to come back to the post office until your shift was officially over. Turow used the extra time (he said he’d finish his route in five hours) to go to the public library and read Joyce and dream about being a writer.

Ulysses was going to teach him about the novel, but he’d already learned an important lesson about having the right day job. Lately, as I’ve been advising Carleton students about how to start a career in the arts, I’ve been encouraging them to consider money work that will either give them more control over their schedule, or keep their mind free, or help fill the pot with experience.

Personally, if I were doing this all over again, I’d go with hair stylist.

First, you’ve gotta love the hours. You might have to open early once in a while, but no one is expecting you there at eight. I like the idea of getting up at six, writing for two or three hours and still having plenty of time to get to work.

Second, cutting hair is social. Bartenders are supposedly the great collectors of our collective confessions, but I tell my hair stylist all kinds of personal, self-revealing things. What could be better than having a variety of (non-drunk) people bringing you their lives?

Third, working with your hands keeps you mentally (and creatively) engaged without burning out your language centers. (Matthew Crawford’s new book SHOP CLASS AS SOULCRAFT argues that physical work may even be better for your soul. Click here for Michael Agger’s take on it in Slate.)

Fourth, you won’t get rich chopping hair, but unless we move into some kind of post-apocalyptic bullets-and-spring water economy you probably won’t go broke either. You’ll make a good living, but not so good of a living that you risk selling out the dream.

Final thought:

From talking to a friend of mine who is a stylist, your biggest worry is probably staying clean and sober. It’s a boozy, druggy business, and if you’re young it may be hard to refuse all that fun. But if you can get your ass home and go to bed at a reasonable hour, then I don’t see any reason why cutting hair couldn’t be your before-you-make-it dream job.

Question: Should I Offer My Book for Free?

1 Jun

A reader writes:

For background: I’m an author with some decent short story credits, I edit a fiction magazine, I speak regularly at local conferences, I have several more short stories in constant circulation, and I’m shopping an urban fantasy novel to agents. I generally write speculative fiction.

I’ve been thinking recently about offering one of my unpublished novels on my website for free. The novel is a fantasy which has been to several agents, gotten requests, but eventually rejected with kind words, not right for today’s market, etc. This would be for promotional purposes only–another way to build my web presence.

Several authors have done this with great success: Doctorow, Scalzi, Konrath, to name a few.

My question: is this is the right thing to do at this stage in my career to continue building my name or is my time better spent elsewhere? I have built up (and subsequently lost due to my own lack of interest) a sizable audience on my personal blog, as well as edit a free online fiction magazine, so I have some idea on how to promote fiction online, though more tips are always appreciated!

I had another reader approach me recently with a similar question, so I’m going to try to answer both of you in one mighty post.

Favorite agent-with-a-blog Nathan Bransford wrote a great post back in February about “freevaneglists,” writers like Chris Anderson and Cory Doctorow who champion free content as a business model. (Kudos and credit to Nathan, by the way, on the coinage.)

My take on the free people is that what makes it work isn’t the free book. It’s them. It’s the attention getting. It’s the personal empire building. It’s the hustle.

(I also have to wonder if there is confluence of territory and approach. Would they be as successful if they campaigned against Digital Rights Management (DRM) and wrote about South American religious art?)

This is not a knock on the freevangelists. I admire them and their work. But if you’re going to lace up your future boots and follow in their silvery, Utopian footsteps, then I hope you keep the following in mind:

Free doesn’t mean cheap

Do you want your baby to appear to the world as just another file? Of course you don’t! If you want to get something out of your free-ness, then you’ll need cover art, a proper website, widgets, badges, etc. And it all has to look amazing.

Even the “Long Tail” starts with an occasion

The most poorly published traditional book still has a collective energy behind it. That’s why you’ll want a proper launch date, a release party, a social media campaign, reader contests, dance marathons, etc. (If you’ve already launched, take your book down, give it a rest, and relaunch it in three to six months.)

Get organized

Consider gathering five other authors in your genre and having all of you release your free e-books on the same day. Give yourselves a name. Write a manifesto. Something so your book isn’t so all on its lonesome.

Be prepared to fight for your book every day

This is true for a traditionally published book, but goes triple for a self-published giveaway. All the energy behind your freebie is going to come from you. You, you, you. Go, go, go. Bzz, bzz, bzz.

If you’re reading this and feeling like you’re going to barf, then this model probably isn’t for you.

If you’re reading this and are licking your chops in anticipation of the royal beatdown you’re going to put on the world, then I encourage you to proceed.

Final thought:

Traditional publishing frustrates me for many reasons, but I still buy all my books new and in book form. These new, for-sale, paper books are what I’m always going to want to read and write, and I will do so even if Amazon surgically attaches a free Kindle to my skull.

But like the survivalist who stocks up on bullets and spring water, I’m preparing myself for a future where the model is free and/or digital and/or self-publishing. I will go where reality goes, even if it breaks my heart.

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